When Westerns Were Un-American

When Westerns Were Un-American:


while this article strangely neglects to mention The Great Silence (no less Un-American then any film it did mention, it’s creators where inspired to make it by the deaths of Malcom X and Che Guevara after all), goes on a tangent about soviet movies that have little to do with spaghetti westerns or leftist thought, and misinterprets the relationship between Paco and Columba in The Mercenary, it’s still probably the best exploration of the trend spaghetti westerns had to have leftist themes, something that’s unfortunately frequently forgotten